"A tale of unmitigated horror. A handsoem tribute." - Khushwant Singh
This is first of all a remarkable story of survival. But to an extent it is also a different kind of Second World War history, in the sense that war history, usually the province of scholars and commanders, is brought to dramatic life and is broken down to its basic, human elements in Eaten By the Japanese, a fascinating and horrific memoir of war, imprisonment, and torture by Japanese soldiers during World War II. This account, perhaps the only one written by an ordinary Indian soldier, radiates a humanity and a pathos which make its appeal universal and transnational, like Iris Chang’s account of The Rape of Nanking.
Crasta does not fit the usual stereotype of a soldier: a pugnacious, boisterous brawler, a jingoist ready to march off to battle, dangerous when provoked. He is rather a man who in his whole life never willingly hurt a fly, who is so forgiving, so moved by a small kindness that he invites his former enemies to visit his home. Yet, the desperate need for a job makes this man join the colonial army of his masters to save the British Empire--which is under attack by the empire of another Asian country. In the process, he is nearly Eaten By The Japanese.
Eaten By the Japanese raises many controversial questions. What does the ordinary soldier--who is by definition trained and commanded not to think--think about war when he decides to think anyway? Did Britain treat Indians justly after the war and reward them fairly for their sacrifices? What about the Americans, who merrily bombed the Indian prisoners--their own side? This is a non-elitist, first-person account of history, coming from an invisible man and an invisible class.
And what about cannibalism and man's inhumanity to man? At a time when various skeletons of the war are emerging from the closet, renewing discussion and the demand for apologies and reparations--is the fate of Indian soldiers who were eaten, killed, or tortured too trivial to consider?
These are some of the questions posed by Richard Crasta, son of the author, and an author in his own right of the novel The Revised Kama Sutra--published by Penguin India and other foreign publishers--and of the HarperCollins India book of essays Beauty Queens, Children, and the Death of Sex), in his moving biographical introduction and concluding essays. |